In search of a mark that could hold an experimental editorial identity across formats — publication, moving image, and merchandising – I developed an amorphous, shapeshifting series of logotypes: drawn, not set, and deliberately resistant to a fixed form.
In search of a mark that could hold an experimental editorial identity across formats — publication, moving image, and merchandising – I developed an amorphous, shapeshifting series of logotypes: drawn, not set, and deliberately resistant to a fixed form.